red cardigan, silver envelope, sweat

This work, red cardigan, silver envelope, sweat, is a series of four photographs born from an everyday accident.

The impetus for the project was a single silver envelope that arrived unexpectedly at my home—a trivial delivery whose sender I no longer recall. On its reflective surface, I discovered—almost by chance—a fleeting reflection of myself and the landscape around me. Subtle buckling—caused by a mismatch between the envelope’s size and its contents—and a few scuffs sustained in transit gently warped the metalized film, creating ripples reminiscent of those on water.

I have long been drawn to images reflected on a water’s surface—forms that, though seemingly solid, tremble and elude capture. In the envelope’s mirror-like face, the same ambiguity emerged. Reflections of a red cardigan, the green of trees, the black silhouette of my camera, and the sky’s light shimmered across its folds. In the final frame, a single drop of sweat, shed under the warm midday sun, was quietly embedded in the image.

An envelope is, by design, a functional vessel for enclosing and delivering information. Yet this silver envelope departed from its intended role, transforming into a medium that bears traces of light and the body. The images it produces do not strive for precise representation; rather, they visualize the very conditions under which images are generated, warped, transited, and lost.

These four images are a series of unintended captures born from the intersection of everyday materials and a conscious gaze toward fluctuating images. Rather than following clear compositions or institutional conventions, the work seeks to trace the faint residues that seep into the image—smudges, distortions, and sweat marks that quietly stain the surface without intention.